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Avid Media Composer - the preferred choice for top-level professionals involved in the production of film and video production, and for independent producers, and for new post-production. A great tool for creative work: support for tapeless production technologies, work with any format, multikamerny HD editing and much more. The fine combination with the freedom to choose different options for systems of Avid Media Composer, which is best suited to the different projects: from an autonomous system with the software without additional hardware support to a complete hardware-software Avid Media Composer / Avid Digirtal Nonlinear Accelerator (Avid DNA) . Name: Avid Media Composer v.4.0.3 Release Date: october, 2009 Version: 4.0.3.71 Developer: Avid Technology, Inc. Platform: PC Win-x32 Compatibility with Vista: complete Language: English Tabletka: Present Size: 1.45 GB
What's new in 4 versions: 1. 16 tracks in the audio mixer. (16 tracks in the audio mixer) Yes, it's true. You can finally see as many tracks as you can play. It seems like small thing, but every time I look at that big mixer I get a warm feeling inside. 2. 100 Undos (100 steps to roll back) This will be a boon to anybody doing visual effects, where you seem to run out of undos all the time. (That's because if you change a parameter by hitting the up or down arrow key a few times, every key press is remembered as a separate undo.) 3. Auto-cropping in the stabilize effect (Added automatic clipping pictures in the stabilization effect) You used to have to laboriously crop a stabilized shot. Now the effect will do it for you. 4. Easier number entry on laptops. (Simplified enter numbers on a notebook without making nampada) You no longer have to use Number Lock. Just tap the control key twice, and you can use the number row. 5. And the piece de resistance - Transition Preservation. Briefly, this is a set of timeline modifications that make it possible to do three things: (Finally fixed the problem with these bearded disolvami!) a. Move clips around in segment mode without losing dissolves. b. Edit from one sequence to another even when a dissolve is involved (no more error messages about breaking a transition effect). c. Drag the edge of a clip through a dissolve and have the dissolve reattach itself. 6. Support for various formats on the same sequence!
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